Alex Desolneux went to work at the Skatepark of Tampa…
It’s always rad seeing the flatland guys riding ramps or street spots because they always come through with something different and uniqe that makes for a video you can’t look away from. This new one Alexis Desolneux uploaded from a session at the Skatepark of Tampa is a perfect example of that. This one might be short and sweet, but there’s some unique lines and a grind I’m sure a bunch of you have never even considered trying in this. Hit play and take a peek! You won’t be disappointed.
“Everything happens for a reason. I met Matt Coplon (who filmed clips and edited this) through writing letters and trading tapes/records of our respective obscure hardcore bands around 1995-96. None of us knew we both loved BMX until 1998 when I mentioned coming over to Florida to enter X-Games qualifications in St-Petersburg. When bridges between the DIY HC/punk and BMX scenes took me on bridges over the Tampa Bay. A place I had only heard of through its death metal history. It’s no coincidence I’m here, I love both. DEATH Leprosy. MORBID ANGEL Gateways to Annihilation. ASSÜCK Misery Index. REVERSAL OF MAN… And now HORSEWHIP. That music scene. These bands and records. These people.
Skatepark Of Tampa. The most iconic skatepark in the world. Supporting BMX since Day 1. UNBROKEN played in 1993. If only I could have been there. Or ASSÜCK. Or any of the many 90’s shows the park welcomed.
2018, I want to see this little edit as a chance to thank SpoT for the great times and all my people in Tampa, from BMX, skateboarding and music, and in more than one case sharing these worlds. Just like flatland can inspire some street/park riding. It’s all connected. This edit wouldn’t be without taking in all of these different sources of energy and inspiration.
Love riding to death. See you next time Tampa.
Peace.
Music:
NO JOY
Slug Night
Wait to Pleasure
Mexican Summer records
Thank you:
Matt Coplon @Profile, Brian Schaefer and crew @SpoT, Jasamine White-Gluz & No Joy, Brett Rohlfing, Lucas Porzio and Tom Sevisual.”
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