Jeremy Lux hits Richmond and Norfolk, Virginia for this new edit for Bulldog Bikes.
Film credit: Casey J. Smith
Song: Wiz Khalifa – Errday
My Spots: Chad Phaire and the Lenox Ledge
“Cult Connect rider Chad Phaire, a native of Harlem, N.Y., starts most days at an infamous ledge spot not far from home known as the Lenox Ledges. In the above video, Chad describes the scene, rides the ledges and throws down some good manual lines before moving on with his day. Video by Matt Brown.” – ESPN
Kis Bike Co – Dyno Spring Edit
“Here’s what we filmed over spring time, we had hoped to film more but weather was reluctant in helping us do so, Dyno is an amazing guy and a top mate, he will send anything you put in front of him providing it’s huge.We had some great times along the way of filming this, and I personally would do it all again at the drop of a hat.
Watch out for an up and coming edit sometime soon, filming will begin within the next month, so keep your eyes peeled for that one. But for the minute sit back and relax. Thank you.
Kisbikeco.com
Demolitionparts.com
Scoopbmx.com
Filmed and Edited by Ali Hutchinson“
How To Bunnyhop 540 with Brad Simms
Ride BMX dropped this how to with Brad Simms. Clearly, you have to have insane horse power to make this trick work, but maybe I’m wrong. Get to it.
Nike – The Pool – Week 1&2
More BMX Videos
Peter Adam swung by The Pool the two weeks after the contest to see who was getting some use out of the place. All I can say is wow, I didn’t expect that many people to be cruising that place. It’s flooded!
Volume – Stevie Churchill Bike Check
Product: EZRA Gauntlet Stems
Well, EZRA is finally giving us a look at their product. The Gauntlet is made from CNC crafted billet aircraft grade aluminum with high-end hollow and hardened bolts. The stem has a 50mm reach and a weight of 9.69 oz. for the top load and 9.02 oz for the front load version. The EZRA Gauntlet stems are available in Matte Anodized black, red, purple, blue and gold.
You can check out more photos here.
Deco – Mat Olson
Deco‘s Mat Olson met up with Dylan Pfohl to film this new edit. Definitely turned out real good too.
