Here’s a fresh one from Colony‘s Attila Godi getting a chill session in at the Peex park in Hungary. Real chill vibe but loaded up with goodness.
Filmers: Dávid Balázs, Gábor Koncz
Song: Sol – This Shit
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Here’s a fresh one from Colony‘s Attila Godi getting a chill session in at the Peex park in Hungary. Real chill vibe but loaded up with goodness.
Filmers: Dávid Balázs, Gábor Koncz
Song: Sol – This Shit
Since the first time I saw an edit from Eli Taylor he has progressed substantially between each edit he drops. Here’s his latest that’s packed with freecoasting madness that you definitely want to see.
Here’s a new one of Daniel “Potro” Sanchez doing it for All Day BMX Shop down in Mexico. There’s a bunch of real good riding in this so check it!
I’ve never heard of this company before, but I do like sexy women so it’s worth watching for that.
It was announced that Florent Soulas joined the FIT team a few weeks back, but now it’s official with this welcome edit. You know this is good so hit play!
All right, I think this covers all of the BMX media that was at Chad Kerley’s contest. Above is the official edit from Ride BMX. After you check that out you can find the edit from Vital BMX. Once you have done that, head over to the ESPN site to check out photos that Cody York shot and then finally make your way over to the DIG site to check out some photos by Dave Leep! Boom! Oh, and then hit the front page of the site to check out my photogallery.
This is so damn good…
“MacNeil UK riders Billy Cooper, Mike King and Vinny Mayne got themselves across to the BMX heart the United States, Austin, Texas in March to dodge the English weather and to be tested by every BMX annoyance..
Running immediately into the SXSW music festival, skateboarding tours, broken iPhones, thunderstorms and a bewilderingly busy city overpopulated by an extra 250,000 people, the team searched to find what they could that hadn’t already been done in one of the most exposed cities in the world, all whilst enjoying one of the best places on earth.
Song: The Jezabels – Endless Summer
Filmed on a Panasonic HMC-40, Canon 550D, Canon 60D with Canon 50mm f/1.8, Sigma 10mm fisheye and Tamron 28-200mm lenses.
Edited in Adobe Premiere Pro and After Effects CS5 by Mike King for MacNeil Bikes and Seventies Distribution.